Untitled n°114

The work belongs to a series in which color is treated as substance rather than image. Each gesture is laid over the previous one in continuous circular motion, allowing pigments to merge without ever fully resolving into a defined form.

The result is a surface in constant transition: greens passing into violets, warm earth tones meeting cool blues, pink centers emerging and dissolving. The eye, denied a fixed point of focus, slows down.

This slowing is the work's intended effect. The painting functions less as an object to be observed than as a space in which to rest the gaze — a brief suspension of urgency.